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The main thing to remember when constructing the forehead: the first - the angles between the faces of the forehead, while reducing the amount of the relief, to change : those that are closer to the middle of the image, become more obtuse, and those who are on the silhouette line
more acute, the second - faces that are parallel to the plane of the background, remain unchanged and the plane under an angle to the background of declining and more significant, the greater the angle of inclination. I should say that Contouring forms the forehead - one of the most difficult and requires a developed sense of tension volumetric forms.
Construction of the nose will start by describing the diversity of its forms and their classification given by Leonardo da Vinci's "Book of the painting ..."
"For such a case you need to remember a variety of four different parts of the profile - the nose, mouth, chin and forehead. First, let's say about noses, which come in three varieties: straight, concave and convex; lines are only four types, namely: long, short, high tip and a low, concave noses come in three varieties, some of which have a concavity in the upper part others - in the middle, and others - at the bottom, convex noses are also changed in three ways, i.e. some have a small hump in the upper part, while others - in the middle and the third - at the bottom, ledges, in the middle between which the crook of the nose, change in three ways, that is, or they are straight or concave, convex or they. "

In the construction of the head of the relief necessary to monitor these relationships and bring them into a harmonious combination, achieving unity of the entire volume of the plastic head and its expressive power.
Mandatory priority in the elaboration of details there. On the contrary, it is impossible to model any one detail, forgetting about the rest. Need to sculpt the entire head at once. This is one of the indisputable laws of methodologies of work in sculpture in general. Nevertheless, it is first necessary to put in place and work out those details that have an impact on the overall design-plastic solution, or to which plastic snap other details.
Construction of the forehead in relief would be greatly facilitated if clearly determine its shape and define its plane. The volume of the upper side of the forehead adjacent to the globular back of the head, and merging with it, the front above the front part.
Frons has five planes: the average front of the plane bounded on the sides of ledges frontal tubercles and superciliary arches and the two front-intermediate plane located above an angle to the middle and having the outer boundaries of the temporal line and the two sides, located behind the temporal lines. They limit the volume of the forehead with the sides. Reduce the volume of the forehead bounded by the planes going into the eye sockets. It should be noted that without the identification of these planes and the depth of eye sockets face will always look flat, expressionless.
Above the level of the forehead is limited by planes, creating a set of the cranium, its "roof". If the forehead hair is closed, these planes are still necessary to show one way or another: the motion of strands of hair, fit them to the crown.
Elucidate the structure of the forehead, make him a reduction in relief, by analogy with the reduction of the solids that are bounded in the space of planes (eg, octagonal prism, cube).