The main thing to remember when constructing the forehead: the first - the angles between the faces of the forehead, while reducing the amount of the relief, to change : those that are closer to the middle of the image, become more obtuse, and those who are on the silhouette line
more acute, the second - faces that are parallel to the plane of the background, remain unchanged and the plane under an angle to the background of declining and more significant, the greater the angle of inclination.

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I should say that Contouring forms the forehead - one of the most difficult and requires a developed sense of tension volumetric forms.
Construction of the nose will start by describing the diversity of its forms and their classification given by Leonardo da Vinci's "Book of the painting ..."

In the construction of the head of the relief necessary to monitor these relationships and bring them into a harmonious combination, achieving unity of the entire volume of the plastic head and its expressive power.
Mandatory priority in the elaboration of details there. On the contrary, it is impossible to model any one detail, forgetting about the rest. Need to sculpt the entire head at once.

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This is one of the indisputable laws of methodologies of work in sculpture in general. Nevertheless, it is first necessary to put in place and work out those details that have an impact on the overall design-plastic solution, or to which plastic snap other details.
Construction of the forehead in relief would be greatly facilitated if clearly determine its shape and define its plane. The volume of the upper side of the forehead adjacent to the globular back of the head, and merging with it, the front above the front part.